216 results for Creative work

  • Valkyries - Mendelssohn , Chopin, Wagner

    Grodd, Uwe

    Creative work
    The University of Auckland Library

    Conductor Valkyries - Mendelssohn The Hebrides Overture , Chopin Piano Concerto No 2, Wagner 'Meistersinger Overture, Prelude and Liebestod from Tristan and Isolde, Ride of the Valkyries

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  • HANDEL Israel in Egypt; Atchison, Fong, Sky-lucas, Latu, Wilson, Kubiak; University of Auckland Symphony Orchestra, Auckland Choral

    Grodd, Uwe

    Creative work
    The University of Auckland Library

    Conductor

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  • From Distant Shores - Aotea Flute Quartet; Walckiers, Jongen, Elmsly 'World Premier', Mozart, Bozza, Piazolla

    Grodd, Uwe

    Creative work
    The University of Auckland Library

    performers, radio boradcasters

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  • BEETHOVEN Missa Solemnis

    Grodd, Uwe

    Creative work
    The University of Auckland Library

    Conductor

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  • Trinity - J.S. Bach Soprano Arias

    Grodd, Uwe

    Creative work
    The University of Auckland Library

    Uwe Grodd performer and Executive Producer, and others performers

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  • HUMMEL Mozart’s Symphonies Nos. 36 'Linz', 35 'Haffner' and 41 'Jupiter' Arranged for Pianoforte, Flute, Violin and Violoncello

    Grodd, Uwe

    Creative work
    The University of Auckland Library

    Uwe Grodd, editor and performer, others performers

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  • Bridging the Wind

    Koo, Sun

    Creative work
    The University of Auckland Library

    Come along to experience the enchanting and contemplative sounds of three traditional Korean instruments; the Daegeum, Gayageum and Geomungo. Featuring repertoire of both traditional and contemporary compositions, 'Bridging the Wind' promises to be an enjoyable demonstration of the sounds of Korea by three visiting Professors Suh Seungmi, Choi Jin and Cho Kyongsun.

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  • No. 3 from Nine Short Pieces for piano, an arrangement of the Douglas Lilburn piano piece

    de Castro-Robinson, Eve; Lilburn, DG (2015-09-03)

    Creative work
    The University of Auckland Library

    Stroma: performers Hamish McKeich: conductor The third of Lilburn's Nine Short Pieces has a whimsical, almost cartoonish feel to it, as well as a Latin swing, it's syncopated, suggestive and insinuating, with nudging little statement-phrases answered by low punctuations. It's quasi-humorous, repetitive, insistent and, ironically, very restrained - vintage Lilburn. I've heightened the qualities I hear in it, and exaggerated them, since to me it's crying out to be released from its rather reserved and sparse setting. It seemed to beg colourful, distinctive instrumentation, a clear texture which is enriched where needed, and I've added characterful percussion and sonic touches such as a flexatone and the vocal ahhs and oohhs to release its jazzy quality. To me, it's in Lilburn's piano oeuvre that he reveals his true self. Composers understand that they are laid bare in pianistic utterance, and this is particularly evident in DGL. If you listen say, to the first of the Three Sea Changes, the material itself is extremely economical, but its emotional impact is immediate. Few works speak to me so eloquently of NZ, as much of DGL's piano music. Despite DGL being rather cool and terse on the surface, the interactions I had with him exposed a warm and wry side. There's an irony in that the first thing he ever said to me was after hearing a student work of mine played in St Andrew on the Terrace in the mid-80s: "Yes, I heard your piece - a bit too intellectual for me". I offer up this arrangement as a non-intellectual birthday gift from a fellow-Scorpio, whose birthday is a week after his.

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  • host for SATB choir

    de Castro-Robinson, Eve (2015-06-01)

    Creative work
    The University of Auckland Library

    Eve de Castro-Robinson: composer of the original composition Robert Wiremu: conductor I was delighted to be asked to write host for Karen Grylls’ Auckland Chamber Choir. My first choral work written at her request was Chaos of delight III, a vocal soundscape of avian sonorities for women’s voices. host is also abstract, based not on a text, but on the Vowel Clock used to train choral singers. The whole work is based on the note A and its upper partials and as the singers move around the space, various harmonics from the chord are heard. The title refers to the movement of birds in formation, often called a host. Commissioned by Robert Wiremu for Karen Grylls's 30 year anniversary conducting the Auckland Chamber Choir

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  • FLOOD in NZPQ15: Āhua o te Rangi, Prague Quadrennial of Performance Design and Space International Exhibition of Countries and Regions

    Hannah, D; Scoones, R; Erceg, L; Brown, Carol

    Creative work
    The University of Auckland Library

    Choreography by Carol Brown; performance design by Dorita Hannah; sound design by Russell Scoones; sculptural objects by Linda Erceg. Influenced by Maori and Pacific sacred places (marae), the Ahua o Te Rangi installation serves as an interaction, negotiation and display space that operates as an architecture piece, audiovisual media-site, live performance stage and dialogue exchange platform. FLOOD, the live performance, is re-presented within the exhibition through a video installation and sculptural form.

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  • Assemblages

    Mackel, D; Gregory, Nuala

    Creative work
    The University of Auckland Library

    Mackel, D., collaborator Over the past three years both artists have worked collaboratively in an installation format under the broad theme of landscapes of the past. For this exhibition, Deirdre Mackel has produced an installation entitled ‘Accidental Gardens 2’. It consists of a child-like garden made from an enclosure of miniature barbed wire fences, and toy gardening tools, including elements of Nuala Gregory’s flower works and small sculptures or ‘shelves’, assembled together allowing for the combination and interplay of ideas and materials derived from two locations. Deirdre references her remembered landscapes of growing up in West Belfast throughout the conflict and Nuala responds with objects representing those commonly found in the earth - old bottles delicately embellished with buttercups and daisies, combining them with lemon wood blocks to reference her current landscape of New Zealand. This assemblage of objects, symbolises the way things are thrown together in chaotic metropolitan space, forming accidental relations among which new possibilities might yet be glimpsed.

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  • Opera Scenes

    Camp, Gregory

    Creative work
    The University of Auckland Library

    Gregory Camp, director The University of Auckland School of Music voice class presents a series of scenes from a variety of operas, directed by Dr Gregory Camp.

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  • International Akaroa Music Festival 2015

    Salzmann, E (2016-04-05)

    Creative work
    The University of Auckland Library

    Artistic director, concerts Invited international artists Prof. Alexander Gebert, cello (Hochschule fuer Musik Detmold), Prof. Elisabeth Kufferath, violin (Hochschule fuer Musik, Hannover), Tasana Nagavajara (Dean of strings, Silpakorn University Bangkok) and Caroline Lmonte (University of Melbourne). 48 students attended the masterclasses, with a total of 1360 audience members attending the festival.

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  • FLUTE FEST 2016; Baroque Architecture and Music in Italy, France and Germany; Dr Ross Jenner speaker; Uwe Grodd flute

    Grodd, Uwe

    Creative work
    The University of Auckland Library

    Performance; Vivaldi 'Il pastor fido' Sonata for flute and harpsichord; M Marais 'Les Folies D'espagne' for solo flute; W F Bach Sonata in Fa major for two flutes Performance; Vivaldi 'Il pastor fido' Sonata for flute and harpsichord; M Marais 'Les Folies D'espagne' for solo flute; W F Bach Sonata in Fa major for two flutes

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  • Fashion and Fibres; Island dress in Polynesia

    Forgan, S (2015-12-03)

    Creative work
    The University of Auckland Library

    Lythberg, B., catalogue author

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  • Gidon Bing’s modernist milieu

    Bing, G (2015-12-03)

    Creative work
    The University of Auckland Library

    Lythberg, B., catalogue author

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