6 results for Creative work, 2017

  • Gioachino Rossini: La Cenerentola

    Spinosi, JC; Bartoli, C (2017-11-02)

    Creative work
    The University of Auckland Library

    Spinosi, J.C. (conductor), Bartoli, C. (Soloist, Artistic Director), Ensemble Matheus (orchestra), Wiener Staatsopernchor (Vienna State Opera Chorus)

    View record details
  • 'A zigzagged gaze': Ten movements for solo piano, written in response to ten New Zealand artists' works from the Wallace Arts Trust collection

    de Castro-Robinson, Eve (2017-02-01)

    Creative work
    The University of Auckland Library

    Premiere performance: Music on Madison Series, 5 Mar. 2017, Madison Avenue Presbyterian Church, New York Programme note: a zigzagged gaze (2017) Eve de Castro-Robinson (World Premiere) (b. 1956) ???I am one link in a concatenation of responses over a century; mine to make the intangible audible. Painter Hartmann responded to life; composer Mussorgsky responded to the paintings; artist Trusttum and others have responded to their muse; their art resonates with me. Henry will in turn, interpret my music and you the listener will react. The history of art and music; a zigzagged gaze of creation and response. I think the artist, sonic or visual, is looking beyond the image or sound, like a creative astronomer grappling with the concept of infinity.??? 1. Philip Trusttrum: Il Vecchio Castello (The Troubador) 2. Josephine Cachemaille: Diviner and minder 3. Rohan Wealleans: Tingler 4. Jim Speers: White Interior #1 5. Miranda Parkes: Trick-or-treater 6. Vincent Ward: Return 7. Marie Le Lievre: Blue Lady 8. Jacqueline Fahey: The Passion Flower 9. John Ward Knox: x (life, still. Baby) 10. Judy Millar: Big Pink Shimmering One

    View record details
  • Kammermusikfest Hopfgarten 2016 Eine europ??ische reise der Kammermusik

    Salzmann, E; Jaffe, R; Schellenberger, H (2017-06-01)

    Creative work
    The University of Auckland Library

    View record details
  • Gioachino Rossini: La Cenerentola: Ossia la bont?? in trionfo

    Spinosi, JC; Bartoli, C (2017-10-30)

    Creative work
    The University of Auckland Library

    View record details
  • Design and research: Shared territories

    Chatterjee, A; Macken, M; Fischer, T (2017-08-17)

    Creative work
    The University of Auckland Library

    The Design Research Institute at Xi'an Jiaotong-Liverpool University (XJTLU) in Suzhou, China is organising its inaugural exhibition Design and Research: Shared Territories (28 October ??? 11 November 2014). The exhibition is curated by academics at XJTLU - Dr Anuradha Chatterjee, Dr Marian Macken and Dr Thomas Fischer. The exhibition features peer reviewed, mixed media contributions by scholars, academics and designers from Australia, Taiwan, Hong Kong, Finland, United States, United Kingdom, and of course China, from interdisciplinary fields of architecture, urban design, landscape architecture, fine art, industrial design, biological sciences, and language. Design and Research: Shared Territories explores two themes: Inquiring Inquiry and Research as Design. The aim is to inquire and expose, rather than present a known/given view of design research. To this end, the exhibition is approached as a form of scholarship, offering a productive space for creating new ways of knowing and critical insights into existing ways of knowing. Information on exhibition venue and opening times will be posted soon. Please save the date if you are in China and wish to attend.

    View record details
  • Boundless: Printmaking beyond the frame

    Allender, R; Hutchins-Pond, M; Allen, B (2017-08-21)

    Creative work
    The University of Auckland Library

    Parts, Fillings, Cuttings is one of a series of experimental works positioned at the boundaries of contemporary printmaking. As the title implies, it was constructed using a combination of techniques from the traditions of chine coll??, wood inlay and painting. It was also produced collaboratively, as part of an artistic partnership between Rick Allender and Nuala Gregory. Allender specialises in contemporary marquetry, employing wood veneers. Gregory has been integrating chine coll?? and lithography since 2009. Among the material and aesthetic influences on these works are Eastern lacquer effects, with their heightened colours, depth and luminosity, and the predella formats of 16th Century European altarpieces and ceilings with their contrasts of style and assemblages of parts. Above all, the works are distinguished by an underlying emphasis on construction and the unforced emergence of form and meaning. Allender draws on his love of the natural world, particularly forests and the sea, and the need for their protection and preservation. Gregory???s practice focuses on the sensuous particularities to be encountered in everyday experiences. By pushing at the limits of traditional mediums, these works provide an indication of what might yet be possible, what might yet emerge and flourish in our world, with our care and thoughtful participation.

    View record details