276 results for Creative work

  • Tuku Iho, Legado vivo M??ori???NZMACI exhibition in South America

    NZMACI (2015-12-03)

    Creative work
    The University of Auckland Library

    Lythberg, B., catalogue author

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  • City of Earth

    Crowley, Lisa

    Creative work
    The University of Auckland Library

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  • Drum Dances 4: Dialogos

    Lines, David; Mason Battley, C; Giles, S; Thomas, S; Psathas, J (2015-10-24)

    Creative work
    The University of Auckland Library

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  • Tout Ensemble

    Hillary, S; Bosshard Browne, P; Cochran, V; Jack, Fiona

    Creative work
    The University of Auckland Library

    Group exhibition

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  • Waikenae concert series, the Auckland Ensemble

    Salzmann, Edith; Almonte, C; Thurlow, S

    Creative work
    The University of Auckland Library

    Mozart: Piano Quartet No 1 in G minor, K478. Brahms: Piano Quartet No 3 in C minor, Opus 60. Schumann: Piano Quartet in E flat, Opus 47.

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  • Through Coiled Stillness

    Holmes, Leonie (2011)

    Creative work
    The University of Auckland Library

    Original composition for unaccompanied SATB chamber choir. Premiere performance of "Through Coiled Stillness", a composition for SATB choir, written for Karen Grylls and the University of Auckland Chamber Choir for their tour of Singapore and England, 2011. Subsequent performances on tour in Singapore and England culminated in a recording in London on the CD "Magnificat" - a CD record of the tour by the National Institute of Creative Arts and Industries, University of Auckland.

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  • The Fourth Station, for solo cello

    Holmes, Leonie (2008)

    Creative work
    The University of Auckland Library

    Original composition for solo cello Premiere performance of "The Fourth Station" for solo cello, commissioned by The Stations of the Cross Exhibition, Presbyterian Church of Aotearoa New Zealand 14-24 March 2008, played by Cameron Stuart. This was an Easter exhibition of artwork accompanied by concerts of commissioned music by New Zealand composers. "The Fourth Station was subsequently performed by Cameron Stuart in a concert by The Karlheinz Company, also in 2008.

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  • Now Colour, Now Shape, Now Paper

    Gregory, Nuala

    Creative work
    The University of Auckland Library

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  • Tony and His Mirror: Transformer Remix

    Harvey, Mark

    Creative work
    The University of Auckland Library

    Video installed through Data Projection, Visualizing Trans, Exhibition, International Exhibition, Curated by Tamar Brown, Heidi Ganshaw, Chele Isaac, Megan Katz, Amy Noell, Emily Pfotenhauer, Sara Schneckloth, Beth Zinsli, Trans Conference

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  • Douglas Lilburn, salutes to poets

    de Lisle, R; Major, D; Lilburn, D

    Creative work
    The University of Auckland Library

    Roger Wilson, baritone ; Gillian Bibby, Paul Cibi, Rae de Lisle, piano ; Jos?? Aparicio, Christopher Leech, tenors ; Dean Major, violin ; Peter Barber, viola ; Dylan Lardelli, guitar ; Douglas Lilburn, narrator

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  • Temporality and education: Incorporating a piano performance of Chopin???s Barcarolle, F sharp major, Opus 60

    Locke, Kirsten

    Creative work
    The University of Auckland Library

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  • Hedged it

    Kerr, Sean

    Creative work
    The University of Auckland Library

    Newall, S., Curator. "Hedged it", sound interactive, "Garage Yard Installations", 1st Mar-2 Mar, Marrickville Garage project space, Marrickville, Sydney. The group show was curated by Sarah Newall, Director of Marrickville Garage Project Space. My work was a interactive sound work, that responded to viewers movements. Other artists included in the show/public event was Annie Aitken, Jonathan Roson & Bashar Gurkan, Josie Cavallaro, Francesca Heinz, Lisa Andrew, Sash Catts, Sara Givins, Sally Clarke.

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  • Talking my way through culture (curated solo exhibition and exhibition catalogue)

    Smith, Jill

    Creative work
    The University of Auckland Library

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  • Calenture Suite Parts I-IV and Reprise

    Lines, David; Mason Battley, C; Giles, S; Thomas, S; Psathas, J (2015-10-24)

    Creative work
    The University of Auckland Library

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  • His Second Time: Dialogos

    Lines, David; Mason Battley, C; Giles, S; Thomas, S; Psathas, J (2015-10-24)

    Creative work
    The University of Auckland Library

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  • Minos: Dialogos

    Lines, David; Mason Battley, C; Giles, S; Thomas, S; Psathas, J (2015-10-24)

    Creative work
    The University of Auckland Library

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  • Love and Marriage concert with Dame Felicity Lott, Gabriel Woolf, Edith Salzmann, Leo Phillips, Stephen de Pledge

    Salzmann, Edith

    Creative work
    The University of Auckland Library

    Gala evening, Haydn piano trio, chamber orchestra

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  • The will of the people is law

    Jack, Fiona

    Creative work
    The University of Auckland Library

    From the catalogue text by Michael Ned Holte: Fiona Jack is an artist working in Auckland, New Zealand. Driven by research and dialogue, her work often explores the social space of political action, and she frequently draws upon collaboration in and with specific communities. The 2014 exhibition ???The Heraldry of Presence,??? at Auckland???s Fresh Gallery ?tara, consisted entirely of banners???some made by the artist based on historical protest signs, others borrowed from community groups or produced in collaboration with them. ???Banners can be disquiet, or celebratory,??? Gwyneth Porter argues in an essay on Jack. ???A banner, at a basic level, indicates the formation of a crowd, and a crowd suggests numbers of people that are too many to be a comfortable thing. A crowd is something that is big enough to make it hard to count it quickly, or at all, like a group of sparrows feeding. A group speaks of a collective and therefore a higher purpose; of a constituency or fellowship or conscience that is large enough to have power by virtue of its sheer force of volition.??? The subject of Jack???s presentation at Commonwealth & Council follows from a single banner in ???The Heraldry of Presence??? exhibition that reads, in emphatic all-caps, ???THE WILL OF THE PEOPLE IS LAW.??? The banner follows from a placard seen in a photograph of women marching in the 1915 rent strikes in Glasgow. The image carries personal history for the artist: Her great aunt Helen Crawfurd was one of the key organizers of the strikes. But divorced from this specific origin it becomes possible for the phrase to be read in a variety of cultural or geographical contexts, reflecting popular sentiment on either side of the political spectrum. Here, the banner is made and remade, and in the force or absurdity of that repetition the phrase reveals its allegorical potential in the present???or even in the future.

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  • Because of M??hlfeld: Marie Ross, original Romantic-period clarinet by Oskar Oehler, 1890s

    Ross, April

    Creative work
    The University of Auckland Library

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  • Clarinet Recital [with historical instruments]

    Ross, April

    Creative work
    The University of Auckland Library

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