250 results for Creative work

  • Hedged it

    Kerr, Sean

    Creative work
    The University of Auckland Library

    Newall, S., Curator. "Hedged it", sound interactive, "Garage Yard Installations", 1st Mar-2 Mar, Marrickville Garage project space, Marrickville, Sydney. The group show was curated by Sarah Newall, Director of Marrickville Garage Project Space. My work was a interactive sound work, that responded to viewers movements. Other artists included in the show/public event was Annie Aitken, Jonathan Roson & Bashar Gurkan, Josie Cavallaro, Francesca Heinz, Lisa Andrew, Sash Catts, Sara Givins, Sally Clarke.

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  • out the window breath bone feather

    Brown, Carol; Whitehead, G; Graham, F

    Creative work
    The University of Auckland Library

    Choreographer Carol Brown Composer Gillian Whitehead Dramaturg Fiona Graham Design Kasia Pol Photographer Solomon Mortimer 'out the window breath bone feather' draws on the extraordinarily rich history of the Pah Homestead since its establishment in 1877, with its changing residents including landed gentry, servants, orphans, nuns, immigrants and broken families, acknowledging as well the prehistory and the site of the pre-European Whataroa Pah. 'out the window breath bone feather' approached collaboratively, explores the memories and stories that resonate through the house and landscape.

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  • Talking my way through culture (curated solo exhibition and exhibition catalogue)

    Smith, Jill

    Creative work
    The University of Auckland Library

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  • Calenture Suite Parts I-IV and Reprise

    Lines, David; Mason Battley, C; Giles, S; Thomas, S; Psathas, J (2015-10-24)

    Creative work
    The University of Auckland Library

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  • His Second Time: Dialogos

    Lines, David; Mason Battley, C; Giles, S; Thomas, S; Psathas, J (2015-10-24)

    Creative work
    The University of Auckland Library

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  • Drum Dances 4: Dialogos

    Lines, David; Mason Battley, C; Giles, S; Thomas, S; Psathas, J (2015-10-24)

    Creative work
    The University of Auckland Library

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  • Minos: Dialogos

    Lines, David; Mason Battley, C; Giles, S; Thomas, S; Psathas, J (2015-10-24)

    Creative work
    The University of Auckland Library

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  • Love and Marriage concert with Dame Felicity Lott, Gabriel Woolf, Edith Salzmann, Leo Phillips, Stephen de Pledge

    Salzmann, Edith

    Creative work
    The University of Auckland Library

    Gala evening, Haydn piano trio, chamber orchestra

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  • Paper Plus: A Group Exhibition

    Batty, H; Croucher, J; Esling, Simon; Stichbury, D; Williamson, S; Youle, W

    Creative work
    The University of Auckland Library

    Paper Plus is a group exhibition featuring works on paper by six New Zealand artists: Hannah Batty, Julia Croucher, Simon Esling, Douglas Stichbury, Shannon Williamson and Wayne Youle.

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  • The coincident present

    Jenkinson, Megan

    Creative work
    The University of Auckland Library

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  • The fundamental practice - regroup, reorder, restore!

    ET AL.

    Creative work
    The University of Auckland Library

    the fundamental practice – regroup, reorder, restore! continues a process of research and investigation, utilising techniques of procedure and presentation familiar from other ideological systems - scientific, military, political, revolutionary. The installation suggests a control-room for a diabolical plan, performing tests, provoking and alluding to the ideologies we are conditioned by and their structures of delivery. Data from the Venice experience has been collected, considered and assimilated into the project.

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  • Frond, for orchestra

    Holmes, Leonie

    Creative work
    The University of Auckland Library

    Composition for orchestra Frond, for orchestra, has been recorded for inclusion on a CD of orchestral works by New Zealand and Australian composers entitled “Passing: Fresh orchestral sounds from 9 Australasian Composers”, released on the Move Record label, Australia, Executive Producer Martin Wright, Move Records, Producer Wayne Laird, Atoll Records. (Track 6 Atoll/Move Records MD3327). Frond is a 10 minute orchestral work written as part of my DMus Portfolio of Compositions. In addition to the CD recording, performances have taken place in NZSO Reading workshops, Wellington Town Hall, 2004 and 2006, the University of Auckland Graduation Concert in 2004, and in concert at the Asia Pacific Festival and Conference, Michael Fowler Centre, NZSO, 2007. “Passing” has been reviewed by William Dart in the NZ Herald 10th April 2010, Clive O’Connell in the Sydney Morning Herald 29 May 2010, and Jack Body for Move Records Website - http://www.move.com.au/disc.cfm/3327. The Passing CD was featured on Concert FM Pressing On program on 2 and 7 May 2010 and Soundlounge 4 May 2010. Sophisticated responses to environment we heard in Chris Cree Brown's Antarctic-inspired Icescape, and in Leonie Holmes' Frond, whose curving shape suggested the Maori koru motive. (Jack Body). A sample of trans-Tasman compositional/intellectual similarities and differences, this disc is both informative and remarkably entertaining: a true cross-section of voices with an often surprising congruence of emotional content.” (Clive O’Connell) There is space for contemplation in Leonie Holmes’ Frond, catching childhood forest fantasies in exquisite chamber music filigree” (William Dart).

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  • Eerst me fiets: first my bike (solo exhibition)

    Parekowhai, Michael

    Creative work
    The University of Auckland Library

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  • the second of the ordinary practices & regroup, reorder, restore!

    ET AL.

    Creative work
    The University of Auckland Library

    Site-specific installation linking art, technology, politcal ideologies, scientific theories, fringe religious practices and behavious modification. IMA receives major funding from Arts Queensland and the Australia Council and Artspace receives major funding from Creative New Zealand.

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  • For Love Not Money

    Speers, James

    Creative work
    The University of Auckland Library

    FOR LOVE NOT MONEY is intended to present a timely reflection on the state of contemporary art production, presentation and reception during a period of world financial crisis. It also encapsulates a reflection of the status of printmaking within the hierarchy of contemporary art practice and production. Continuing a process started in previous triennials the 15th Triennial will present art works made using a range of mechanical and digital reproduction and print techniques, including camera and computer based technologies.

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  • Blind Glass

    Cherrie, Derrick

    Creative work
    The University of Auckland Library

    'Blind Glass' was a collection of works that drew their form and imagery from familiar every-day situations. The works employed a broad array of materials and pre-constructed objects, including: shelving, tables, household objects, sheets of particle board, plastic laminate, fibreglass, mirror and paint. There was a consistent reference throughout the exhibition to the body. The works have the potential to be read as bodily supports (furniture) and body substitutes (physical and psychic). They opened outwardly onto a socially indexed environment and inwardly through personal reflection. Like partial stage sets, the works are presented as traces of scenarios suggesting narrative. However, despite the apparent potential of subjective relations and what might be described a sculptural variant of narrative production, one would be hard put to summarize quite what story has been told. The sculptures occupy what might be described as a zone existing somewhere between the recognisable and familiar matters of their everyday qualities, and an almost dreamlike state of autonomous ideals and semantic absence. A key objective was to have the sculptures open onto a sense of an alterity in opposition to, yet emerging out of, the commonality of their more obvious indices.

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  • Crown Coach Botanical

    Campbell, Joyce

    Creative work
    The University of Auckland Library

    The City of Los Angeles Community Redevelopment Agency commissioned “Crown Coach Botanical” for use in a planned public artwork and provided US $24,000 for its production. The series of twenty-eight ambrotype plates comprised a survey of the rich variety of plants clinging to the Crown Coach Brownfield, a polluted wasteland in downtown L.A. set for remediation. Following a solo exhibition at Two Rooms Gallery in 2008, John Hurrell wrote “these strange blurred and specked images are of plants …found in the Los Angeles region where she now lives. Looking at them is like going back in time a hundred and fifty years.” (Eyecontact 9/08). A full set of these photographs were acquired by the City of Los Angeles art collection. Several images from this series were included in my contribution to Altogether Elsewhere, a feature exhibition by curator Rob Tufnell at the Zoo Art Fair, 2009 alongside artists including Alighiero Boetti, Jim Lambie, Mungo Thomson, Gülsün Karamustafa, Mike Nelson and Richard Hughes.

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  • TAG - Simon Ingram and James Cousins

    Cousins, James; Ingram, SA

    Creative work
    The University of Auckland Library

    A two-person exhibition featuring 4 works by each artist. The principle of the exhibition was such that points of formal and conceptual commonality in each artists' painting practice would be unpacked, analyzed and re-configured discursively through the playful and collaborative process of selecting and installing the works. These were not major works, but ones that represented experimental and oblique moments of discovery in each artist's practice and were not necessarily works either artist would ordinarily exhibit. The exhibition received a review on ArtForum online, on the Minus Space website and on a local art review website called eyecontact. See: http://www.gowlangsfordgallery.co.nz/exhibitions/pastexhibitions/2010/iniative1cousinsingram.asp

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  • National Projects 2010

    Crowley, Lisa

    Creative work
    The University of Auckland Library

    A major exhibition of photographs which investigates the complex project of Nation building that occurred in NZ post WW2. The exhibition has a particular interest in the representational methods and communicative modes of address employed by both the state and creative practitioners during this period of history.

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  • Exploded View

    Gregory, Nuala

    Creative work
    The University of Auckland Library

    In Gallery Two, Associate Professor Nuala Gregory from the Elam School of Fine Arts creates an immersive installation of printed and collaged works. Her art work draws on her investigations in art theory, advancing the proposition that art can produce effects which escape the bounds of representation and operated instead at the level of bodily sensation. The exhibition is accompanied by a 48 page full colour catalogue with essays by Dr Peter Shand and Gregory O’Brien.

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